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Life Through Screens

by At-Risk Youth

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1.
Jimmy knows he needs no introduction Says his world is ruled by mass production Lives among the barren and their treasures Gets his greatest thrills from complex pleasures He lives in between All his friends are turning green When he relates all that he's seen On the cameras Jimmy knows he looks like a magician Practices to mindless repetition Trampolines from one place to another Always does his best work undercover He lives in between All his friends are turning green When he relates all that he's seen On the cameras Some girl looks like she's ten Smokes a cigarette and plays mother hen To her sister who runs fearless and bold Trying to shed the morning cold Racing through the parking lot Lungs burn with ice that turns them hot Cars pass by on busy streets The asphalt sighs and creaks On a Friday at the DMV On a Friday at the DMV On a Friday at the DMV On a Friday Jimmy built himself a reputation Now he's ready for a celebration Time to make a giant contribution Jimmy's out for blood and revolution He lives in between All his friends are turning green When he relates all that he's seen On the cameras On the cameras On the cameras Cameras Cameras Cameras
2.
Liberace 03:30
You walked in dressed to the nines In your crisp assassin's clothes You had a look on your face of disgust and distaste As your glasses slid down your nose You looked around and made your decision That's when you started to speak You said we should be caged and locked away We're not the right kind of freaks You oughta sell that story to Fifth Street Put it up on the Great White Way Talk about the next Liberace Say it's too bad you never played Jackie showed up in a ballroom gown Tony showed up with fleas You sat there and wrote it all down On a notepad on your knees You had no expectations and great reservations When you finally chose to appear You left quite quickly but stayed long enough To choke on the atmosphere You oughta sell that story to Fifth Street Put it up on the Great White Way Talk about the next Liberace You'll say it's too bad you never played When you get home at night you pour a glass of wine Lie down on the couch and drink away your mind Your face is frozen in a politician's smile But I'll bet that you haven't been happy in quite a while When you get home are you all alone Or is someone waiting there When you kick off your shoes and fall back on the couch Do you have someone who cares About the myriad frustrations that pepper your life The things that you hated this week Someone who listens and doesn't tune out Every time that you start to speak You oughta sell that story to Fifth Street Put it up on the Great White Way Talk about the next Liberace You'll say it's such a shame but you never learned how to play You're gonna sell that story to Eighth Street Put it up on the Great White Way You're gonna talk about the next Liberace You'll say it's too bad but you never Never ever played
3.
Reptilian 04:41
Walk me home please my legs are weak and wobbling Beneath my weight The days fall into one another And I can't keep them straight It only brings me down when She speaks the words they wrote for her She she smiles at millions She knows the way she walks the way she talks The way she fucks is so reptilian The way she fucks is so reptilian What's a word for stretching out like taffy right up Until you break I feel so cramped and suffocated These people are so fake They only come around when She speaks the words they wrote for her She she smiles at millions She knows the way she walks the way she talks The way she fucks is so reptilian The way she fucks is so oh You were evergreen and everything I dreamed you were You were evergreen and everything I dreamed you were You were evergreen and everything I ever dreamed you were You were evergreen you were everything I ever dreamed you were Lie lie lie lie lie Scar tissue forms over the old wounds It always comes too late These conversations last forever And I can hardly wait For you to string me You string me on and out and She speaks the words they wrote for her She she smiles at millions She knows the way she walks the way she talks The way she fucks is so reptilian The way she fucks is so reptilian The way she fucks is so so-so The way she fucks is so reptilian
4.
He's a beacon bright with all the pride of youth He's a liar but he always tells the truth Fallen angel prone to give out good advice It might be that I believed him once or twice High times and breadlines Churches and moonshine Okay I'm just fine Sue me if I lie She loves thunder she hates lightning and rain When she's happy she disguises it as pain Mind games only work if you choose to play I've been playing them every single day High times and breadlines Churches and moonshine Okay I'm just fine Sue me if I lie Like I lied to you It's what I do Like I lied to you Do you need proof Like I lied to you And that's the truth Like I lied They're slow dancing in the cemetery trees They are dressed in clothes of lavender and leaves Vivid image of the people I once knew It seems strange but I swear they move like you High times and breadlines Churches and moonshine Okay I'm just fine Sue me if I lie Like I lied to you Like I lied to you Like I lied

credits

released February 19, 2021

MUSICIANS
Mark K. Foreman: vocals, guitars, programming, backing vocals on tracks 1, 2 and 4
Ryan Hartline: drums, cowbell on track 2, backing vocals on tracks 1 and 4
Ali Belone: bass, backing vocals on all tracks

Produced, mixed, and mastered at Silent Rain Studios by Mark K. Foreman.

Cover art by Jordan Nicole Turner and Ryan Hartline

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At-Risk Youth Colorado Springs, Colorado

At-Risk Youth is a Colorado Springs rock band composed of Mark K. Foreman, Ryan Hartline, and Ali Belone.

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